We can and sometimes must use them as a tool to create intrigue, but the reader will feel disappointed if we do not give a satisfactory explanation about them before turning the last page. But we must have explained the reason for each of these contradictions before ending our story. In fact, these contradictions can be very useful for enriching our main characters. These are episodes that we can tell about in our novel, of course. Not with a tyrant who disguises himself every night to glide through the dark streets and leave a generous donation in the nearest monastery. No one can identify with someone who laughs out loud at the time of his father’s death after being shown as a good son. This will be the first of the necessary qualities of our main characters: the reason. The Round Characters SHOULD BE the protagonists of our story, those who SHOULD hook our readers because there is NOTHING MORE HORRIBLE than a novel with a FLAT MAIN CHARACTER.Īnd for the characters to fulfill their role, they only have to do one thing: get the reader to identify with them, not so much in the sense of sharing their desires but in understanding the origin of their strengths and weaknesses.
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